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Of Place and Passage: Actions and Images by Stephan Koplowitz

Renowned for his interdisciplinary approach to performance and visual media, Stephan Koplowitz transforms architecture, technology, and movement into dynamic acts of perception. Of Place and Passage explores his evolving language of site-responsive choreography—spanning early photobooth experiments, large-scale public performances, and new works engaging with artificial intelligence. From the optical play of camera obscura to digital and telematic collaborations, Koplowitz reveals how body, space, and image continually shape one another.

Anchored by his landmark Fenestrations (1987) and extending through projects like Learn, Capture, Remix and Mill Town, the exhibition traces a career that treats space as both stage and lens, reframing choreography as a living dialogue between art, technology, and place.

Unfinished Histories: Jann Haworth and the Celebration of Equality

Unfinished Histories: Jann Haworth and the Celebration of Equality examines the artist’s six-decade career through the lens of feminist ‘making’, collective visibility, and the ongoing work of rewriting art history. A pioneer of soft sculpture and co-designer of the iconic Sgt. Pepper’s Lonely Hearts Club Band album cover, Haworth has consistently used alternative materials (fabric, vinyl, clay, cardboard), and collaboration to challenge the gendered hierarchies of both history and public memory.

Central to the exhibition is Haworth and Liberty Blake’s Work in Progress, an expansive and collaborative mural that undertakes a feminist revision of art history by decentering the patriarchal canon and foregrounding women across disciplines, periods, and identities. Featuring more than 500 figures, the mural exemplifies Haworth’s enduring commitment to equality and historical credit through acts of communal authorship and structural inclusion.

Haworth's solo work, encompassing stitched figures, hand-sewn pop culture imagery, and intricate portraits, elevates traditionally private and feminized crafts like sewing, fiber arts, and domestic labor into serious forms of artistic expression. Her work challenges the imbalance that women face across society, the traditions of ‘accepted materials’ for art making, and the subjects that are worthy of attention.

This exhibition reframes Haworth’s soft sculptures and collaborative mural practice not simply as aesthetic innovations, but as feminist strategies for reshaping who gets remembered, and which form is key to their representation.

Uprooted: sitework

Uprooted: sitework positions soil as both unstable and generative material. Drawn from landscapes marked by industrial residue and environmental precarity, these works move through cycles of maintenance, erosion, and renewal. The search for ground—material, ecological, and conceptual—unfolds within a terrain where stability is increasingly uncertain, asking what it means to take root in compromised conditions. Repair emerges not as resolution, but as a sustained, provisional act.